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Digital Résumé
LAST UPDATED: 4/5/2025.
Summary
I am a university-educated music and audio industry professional who has spent years developing their artistic intuitions and technological expertise with equal rigor.
My areas of specialization are studio production and recording in both the digital and analog realm; I have worked as a student recording engineer in professional-grade facilities for several years.
I have obtained a multitude of hands-on experiences with operating and troubleshooting A/V technologies.
I studied tape recording and analog workflows in great detail during my final two years of college, and concluded my undergraduate studies with an in-depth research project into vintage recording and production techniques.
As an seasoned studio worker who has serviced hundreds of clients, I have placed consistent, high-quality socialization and communication at the forefront of my career.
I am interested in careers which allow me to further explore the craft of music-making and recording, primarily with acoustic-leaning instrumentation, using hybrid analog and digital layouts.
EDUCATION
NYU Prague — Tonmeister Technology
Month-long intensive on stereo and immersive recording and mixing techniques for studio and on-location recordings.
New York University, New York, NY
BM in Music Technology, with a focus on studio engineering.
Manhattan School of Music, New York, NY (MSM Summer Program)
High school summer program where I pursued classical composition.
Nassau BOCES Long Island High School for the Arts, Syosset, NY
Monthlong summer study program with a concentration in music theory, composition, and performance.
WORK EXPERIENCE
On-Call Freelance Media Production Engineer
The Juilliard School
I lead and assist on recording studio sessions when needed, helping students with both academic recordings and personal projects. Typical recordings involve student ensembles from the classical or jazz music departments, with all-acoustic instrumentation. Responsibilities include setup, breakdown, and the recording of both audio and video—which involves microphones, video cameras, lighting equipment, etc.
Music Engineer/Producer/Editor
Freelance — self-employed
Provide music-related services, such as producing, studio recording, editing, mixing, and mastering, to independent music artists, mainly focusing on college-age students looking to build up a portfolio.
Studio Assistant/Score Transcriber
LiveWire Production and Recording
Transcribe both audio and MIDI tracks of original music compositions into professional, easily-readable manuscripts in the notation software Sibelius. The task requires advanced aural comprehension skills (including polyphonic transcriptions with no written references) and specialized notation/technical knowledge specific to different instrument groups. I also assist (as needed) on studio maintenance (including a full rewiring of the studio space) and recording sessions.
Concert Recordist
New York University
Set up and record audio, video, and livestreams for student recitals; operate A/V equipment such as microphones, digital recorders, digital mixing consoles, streaming cameras, projectors, PA systems, and more, in a variety of performance spaces across the University.
Studio Engineer
James L. Dolan Studio — New York University
Conduct studio sessions in all capacities, including session planning, setup, breakdown, recording, editing, comping, and recording video.
Studio Intern
James L. Dolan Studio — New York University
Acted as a recording and production assistant to studio engineers, and assisted in basic housekeeping tasks such as cleaning and maintenance.
SKILLS
*Asterisks denote preferences, if any
Office Programs:
*Google Suite
Microsoft Office Suite
DAWs:
*Pro Tools
*Logic Pro
Consoles and A/V devices:
*SSL Duality Delta Superanalog Console
SSL AWS 948 Delta Analog Console
Trident Audio Series 78 24-Channel Analog Console
Audient ASP 4816 Analog Mixing Console
API 1608-II Recording and Mixing Console
*LAWO mc²36 All-In-One Production Console
*Allen & Heath SQ5 Digital Mixer
TASCAM SS-R250N Audio Recorder
Avid S4 and S6 Control Surfaces
Otari MTR-90 24-track tape recorder
Extron streaming media processors/control systems
Crestron Control Systems
Visual Art/Video Software:
*Adobe Suite (Illustrator, Photoshop, InDesign, Premiere Pro)
iMovie/Final Cut Pro
Programming Languages:
*C++/Arduino
PureData
Python
Java
Music Notation Software:
*Sibelius
*Notion
Finale
Musical Instruments:
*Piano
*Violin
Flute
Drum Kit/Percussion
LEADERSHIP/ORGANIZATIONS
Musical Mentors Collaborative (MMC): Instructor and Secretary
As secretary, I documented biweekly meetings, managed files and calendars, planned events, and helped to promote the club to the school community. As a student piano instructor, I developed custom curricula and made my own lesson materials for one-on-one lessons.
The Color Of My Voice (CMV): Music/Audio team lead, composer
Directed audio and music operations, and contributed original music of my own, for a student-founded YouTube channel, which made short animated films promoting anti-discrimination and inclusion.
NYU Society of Women in Technology (SWiTCH) Member
Peer organization for gender minorities and their allies in music technology fields. Hosted community events like tours, meetups, guest lectures, and masterclasses to aid with professional development.
Audio Engineering Society (AES) — former student member
Preeminent organization for audio networking, innovation, and research.
COURSES TAKEN — COMPLETE LIST
Computer Music Theory
Introduction to PureData (Pd).
Introduction to Computer Programming
Introduction to Python.
Introduction to Computer Science
Introduction to Java and OOP.
Fundamentals of Music Technology
Introduction to recording music and audio and working in the DAW.
Electronic Music Synthesis
Studio class which involves modular synthesis and recording to tape.
Computer Music Synthesis
Emphasizes DAW proficiency and the complete music creation process.
Group Composition Lessons: Screen Scoring
Introductory-level class on composing in the DAW for film.
Music Theory I, II, III Honors, IV Honors
Focus on classical counterpoint, part-writing, analysis, and composition.
Aural Skills I, II, III Honors, IV Honors
Teaches movable-do solfège, sight-singing, and melodic/harmonic dictation.
Keyboard Skills I, II
Teaches basic technique for piano solos, improvisation, and accompaniment.
Analog Electronics
Lecture and lab teaching basic analog circuitry, mainly for audio applications.
Digital Electronics
Programming in Arduino (C++) for microcontrollers with a focus on audio.
Music History: Baroque and Classical, 19th Century, 20th Century, Film Music
4-semester overview of Western music history.
Digital Recording Technology
Focuses on use of studio console and equipment and producing in Pro Tools.
Analog Recording Technology
Focuses on use of studio console and equipment and recording to tape.
Electronic Music Performance
Experimental live performance class using electronic instruments.
Introduction to Audio for Video
Introduction to audio production and post-production in Pro Tools.
Electronic Product Design for Music and Audio
Start-to-finish process of creating a novel electronic music/audio product.
Private Lessons: Jazz Piano
1 hour jazz piano lessons conducted weekly.
Composer’s Ensemble
Start-to-finish process of composing, rehearsing, and performing an original composition for a musical group.
Studio Production Techniques
Overviews recording technique in the studio setting.
Audio Mastering
Trains how to master stereo mixes for professional release/distribution.
Jazz Theory and Ear Training I
Surveys jazz form, harmony, technique, and composition.
Concert Recording
Surveys the practice of recording live acoustic performances.
Intro to Digital Tools
Surveys Adobe’s digital imaging tools: Illustrator, Photoshop, and InDesign.
Mixing in the Digital Audio Workstation
Hones in on mixing skills in Pro Tools through biweekly exercises and feedback.
Advanced Audio Production
Develops engineering skills through weekly student-run recording sessions.
Advanced Aural Skills: Popular Music Transcription
Surveys melody, harmony, instrumentation, production techniques, and layers of meaning in popular music.
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